Narrative Events: Updated

The thriller starts with a man delivering a letter though a home letterbox.

The letter has the poison in it and the audience will begin to recognise that this is an important passage as it makes its journey. The man inside the house then goes to the window to check who the man delivering is and see's that he has gone before returning to the door and bending down to pick the letter up. He picks the letter up and leaves the house

. As he is leaving the house, a few steps down the road, we see the ‘spy’ behind him getting into his car, and leaving the location, this is over the shoulder of the man holding the package, showing that he has not seen it. He then continues on to a café further down the road, but in sight. The man carrying the parcel nears the café and joins two elderly men playing cards, before anything is said; he slides the envelope across the table to the man on his right. Then an on comer (random man) passes behind the elderly man whose just received the envelope. The elderly man lowers his arm with the envelope in it behind him and the on comer takes it out of his hand. He then turns a corner onto a busy street.

The camera then flicks from the guy walking along the street to the spy driving in the car. Cutting back to the street shop, a man dresses in leather starts to approach drawing closer to the man with the package. Until they purposely collide with each other suggesting a pass over. The camera then follows the man dressed in leather near to his bike, mount it and drive away. Camera follows the road that the bike is on.

The camera crosses cuts again to the ‘spy’ leaving his car and entering the restaurant. The camera follows the man through to the restaurant, sit, and a waiter approach and take his order.

Camera then cuts back to the man on his bike turning a corner down a back alley; he dismounts his bike, and approaches the back entrance to what appears to be a restaurant. He enters a kitchen area, being greeted by a large cook, through a handshake, the envelope is exchanged.

We then flick back to the spy walking into the restaurant. He walks into the restaurant and is given a seat at his own table. The waiter comes and takes his order and then goes to the kitchen. The chef is in the kitchen organising all of the food and we see him put the poison on top of the food when it’s cooked. The other cooks aren’t aware of this, as they don’t see. 

The waiter then collects the food from the kitchen and serves it to the spy. The audience can then see him eating the food. In the corner of the spy’s eye he can see the chef and realises that he shouldn’t eat anymore because of the facial reaction he was given and attempts to stand up. He can’t make it and his vision goes all blurry and we see this through the camera use. We end our prelim with the title appearing after its blurred.